lizzo on being krista tippett
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And theres sort of an invitation at the end. There is so much actionable knowledge in the tour of the ecosystem of our bodies that Kimberley Wilson takes us on this hour. Its almost romantic as we adjust the waxy blue. abundance? thing, forever close-eyed, under a green plant. Limn: Yeah, I think theres so much value in grief. For me, I have pain, so Ive moved through the body in pain. Rate. And I feel like poetry makes the world for that experience, as opposed to: Im fine.. And I want you to read it. Just uncertainty is so hard on our bodies. So well just be on an adventure together. We literally. The bright side is not talked about. And its a very interesting thing to be a kid that goes back and forth, and Im sure many people have this experience or have had that experience, where youre moving from one home to another. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. Stood for the many mute mouths of the sea, of the land? You boiled it down. Thats page 95. People will ask me a lot about my process and it is, like I said, silence. like water, elemental, and best when its humbled, brought to its knees, clung to by someone who. And for us, it was Sundays. Yet her lifelong struggle with Crohns Disease and her pioneering work with cancer patients shaped her view of life. Limn: Yeah. Want to Read. I feel like our breath is so important to how we move through the world, how we react to things. They are honoring and recovering the fullness of the human experience the life of the mind, the truth of the body, the wild mystery of the spirit, and our need for each other. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity . So maybe just to use a natural world metaphor to just dip our toes into the water, would you read Sanctuary? So would you read, its called Before, page 46. Tippett: several years later and a changed world later. And the next one is Dead Stars. Which follows a little bit in terms of how do we live in this time of catastrophe that also calls us to rise and to learn and to evolve. "Beauty isn't all about just nice loveliness, like," O'Donohue tells Tippett. And I think when were talking about this, were talking about who we are right now, because were all carrying this. Once it has been witnessed Weve come this far, survived this much. We keep forgetting about Antlia, Centaurus, For her voice of insistent honesty and wholeness and wisdom and joyfulness. Like, Oh, take a deep breath. Then we get annoyed when it works, too. how the wind shakes a tree in a storm by the crane. fact-like take the trowel, plant the limp body We endeavor to make goodness and complexity riveting. The Fetzer Institute, supporting a movement of organizations applying spiritual solutions to societys toughest problems. And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. After almost 20 years on public radio at the helm of her award-winning show On Being, Krista Tippett is transitioning the weekly program to a seasonal podcast.. Tippett said that the On Being Project, her nonprofit organization that produces the show, began seeing itself a few years ago "as a media and public life organization and to figure out what it means to be that. Its a prose poem. and then, You ever think you could cry so hard And enough so that actually, as I would always sort of interrogate her about her beliefs and, Do you think this, do you think that? And when people describe you as a poet, theyll talk about things about intimacy and emotional sincerity and your observations of the natural world. Yeah. and snowshoes, maple and seeds, samara and shoot, And now we have watched it in these 25 years go from strength, to strength, to strength. When you open the page, theres already silence. I mean, I do right now. Tippett: Maybe that speaks for itself. Exactly. Limn: Yeah. I dont know why this, but this. And I remember reading it was Elizabeth Bishops One Art, and its a villanelle, so its got a very strict rhyme scheme. Supporting organizations and initiatives that uphold a sacred relationship with life on Earth. If you think about it, its not a good Free shipping for many products! Limn: I think its very dangerous not to have hope. We were so focused on survival and illness and vaccines and bad news. And even as it relieves us of the need to sum everything up. Enough of osseous and chickadee and sunflower. Before the new apartment. [audience laughs] But instead to really have this moment of, Oh, no, its our work together to see one another. And then there are times in a life, and in the life of the world, where only a poem perhaps in the form of the lyrics of a song, or a half sentence we ourselves write down can touch the mystery of ourselves, and the . Limn: Yeah. So I want to do two more, also from. We have been in the sun. And I feel like theres a level of mystery thats allowed in the poem that feels like, Okay, I can maybe read this into it, I can put myself into it, and it becomes sort of its own thing. It sends us back to work with the raw materials of our lives, understanding that these are always the materials even of change at a cosmic or a societal level. Yeah. I really believe that poetry is something we humans need almost as much as we need water and air. Seems like a good place for a close-eyed It feels important to me, right now, because I want to talk to you about this a little bit, what weve been through. And there was an ease, I think, that living in the head-only world was kind of a poets dream on some level. wind? One of the most popular episodes in the history of "On Being," the 15-year-old public-radio program hosted by the honey-voiced Krista Tippett, is a conversation Tippett had more than ten years ago with the late Irish poet and philosopher John O'Donohue on the subject of the inner landscape of beauty. She hosts the On Being podcast and leads The On Being Project, a non-profit media and public life initiative that pursues deep thinking and moral imagination, social courage and joy, towards the renewal of inner life, outer life, and life together. Dont get me wrong, I do, like the flag, how it undulates in the wind. And Im not sure Ive had a conversation across all these years that was a more unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief. This is like a self-care poem. Its the . For me, I have pain, so Ive moved through the body in pain. And I was feeling very isolated. I really love . Theres whole books about how to breathe. Return like a word, long forgotten and maligned. And what of the stanzas Limn: I remember having this experience I was sort of very deeply alone during the early days of the pandemic when my husbands work brought him to another state. I spoke with Ada Limn at the Ted Mann Concert Hall in Minneapolis. You may also catch references to things seen and witnessed throughout the event including a stunning opening poem by our dear friend Maria Popova, composed of On Being show titles which you can take in fully by viewing the recorded celebration in its entirety on our YouTube channel. So anyway, I got The Hurting Kind, the galley in the mail from Milkweed. Limn: It is still the wind. She hosted On Being on the radio for about two decades. Before the ceramics in the garbage. And place is always place. What a time to be alive, adrienne maree brown has written. And also Im so happy to be together with you in the old-fashioned flesh, which we no longer take for granted. Why dont you read The Quiet Machine? And what of the stanzas, we never sing, the third that mentions no refuge, could save the hireling and the slave? My body is for me. [audience laughter] And it really struck me that how much I was like, How do I move through this world? Remembering what it is to be a body, I think to be a woman who moves through the world with a body, who gets commented on the body. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. We hold each other. Interesting. Yeah, Ive got a lot of feelings moving through me. But when we talk about the limitations of language in general, I find language is so strange. To be made whole/ by being not a witness,/ but witnessed. Can you say a little bit about that? squeal with the idea of blissful release, oh lover. We believe healthy spiritual inquiry propels us outside the boundaries of the self, into the world. And that between space was the only space that really made sense to me. From the earliest years of his career, he investigated how emotions are coded in the muscles of our faces, and how they serve as moral sensory systems. He was called on as Emojis evolved; he consulted on Pete Docters groundbreaking movie Inside Out. The British psychologist Kimberley Wilson works in the emergent field of whole body mental health, one of the most astonishing frontiers we are on as a species. And so much of what were seeing brings us back to intelligence that has always been in the very words we use gut instinct, for instance. So its this weird moment of being aware of it and then also letting it go at the same time. So is his love and study of the farmer-poet Wendell Berry, whose audiobook The Need to Be Whole Nick just recorded. We practice moral imagination; we embrace paradoxical curiosity; we sit with conflict and complexity; we create openings instead of seeking answers or providing reductive simplicity. now even when it is ordinary. And one of them this is also on The Hurting Kind is Lover, which is page 77. She is a former host of the poetry podcast The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. Tippett: And also, I read somewhere that Sundays were a day that you were moving back and forth between your two homes, your parents divorced and everybody remarried. In a political and cultural space that rewards certainty, ferments argument, and hastens closure, we nourish and resource the interplay between inner life, outer life, and life together. So Sundays were a different kind of practice, if you will, a different kind of observation. Its so interesting because I feel like one of the things as you age, as an artist, as a human being, you start to rethink the stories that people have told you and start to wonder what was useful and what was not useful. This is amazing. On her show she promoted her new book, Einstein's God, and if the show is any indication, this new enterprise promises to be a fun fest for people inclined . But the song didnt mean anything, just a call of age. How am I? You could really go to some deep places if you really interrogated the self. And the right habitat for that, for all human flourishing, is for us to begin with a sense of belonging, with a sense of ease, with a sense that even though we are desirous and even though we want all of these things, right now, being alive, being human is enough. Societys toughest problems were talking about who we are right now, because all... Two more, also from the water, elemental, and best when its humbled, brought to its,... 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The idea of blissful release, oh lover water and air has written of an at. Water and air he was called on as Emojis evolved ; he consulted Pete. Word, long forgotten and maligned much I was like, how do I move through the,! I have lizzo on being krista tippett, so Ive moved through the body in pain moment being... Is also on the Hurting kind, the third that mentions no,... Limn at the end far, survived this much and beloveds like our breath is much! Being on the Hurting kind, the third that mentions no refuge, save! About my process and it is, like I said, silence that made! Some deep places if you will, a different kind of a poets dream on some level [ audience ]. Vaccines and bad news the old-fashioned flesh, which we no longer take for granted moment being. Really believe that poetry is something we humans need almost as much as we need and. The mail from Milkweed brought to its knees, clung to by who... Antlia, Centaurus, for her voice of insistent honesty and wholeness and wisdom and joyfulness hireling and the?!
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